Wednesday 18 May 2011

Kate McCann - further re-writing of history!

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Kate McCann: "The curtains went whoosh!"


Re-writing the story of "
How I knew that Madeleine had been taken."




Kate McCann:

I did my check about 10.00 'clock and went in through the sliding patio doors and I just stood, actually and I thought, oh, all quiet, and to be honest, I might have been tempted to turn round then, but I just noticed that the door, the bedroom door where the three children were sleeping, was open much further than we’d left it.

I went to close it to about here and then as I got to here, it suddenly slammed and then as I opened it, it was then that I just thought, I’ll just look at the children and I could see Sean and Amelie in the cot and then I was looking at Madeleine’s bed which was here and it was dark and I was looking and I was thinking, is that Madeleine or is that the bedding.(See image below) and I couldn’t quite make her out. It sounds really stupid now, but at the time, I was thinking I didn’t want to put the light on cos I didn’t wanna wake them and literally, as I went back in, the curtains of the bedroom which were drawn,… were closed, … whoosh … It was like a gust of wind, kinda, just blew them open and Cuddle Cat was still there and her pink blanket was still there and then I knew straight away that she had, er, been taken, you know.

bed

Above: photo of Madeleine's bed from the police files. It was perfectly flat, as though it hadn't been slept in. What was there that Kate McCann could have mistaken for the bedding or Madeleine? Perhaps if the bedding had been bunched up, she could have wondered what the bulge was, but there's no bulge.

Referring to her relating of the story, Kate McCann opened the door and as she went to close it, it slammed. She opened it again to have a look at the children, (She went back in? She hadn't mentioned actually going in!) something like a gust of wind blew the curtains open. Something like a gust of wind? What could be like a gust of wind, apart from a gust of wind?

Anyway, no mention of going anywhere else before the curtains went
whoosh! She opened the door immediately for the second time and the curtains went whoosh.





And here we have Kate McCann talking to Piers Morgan with a greatly embellished account of how she knew!

PM: What was the exact moment...I'll ask you Kate...when you realised that Madeleine was gone?

KMcC: Well, I went back to do a check at ten o'clock, emm...and I went through the patio doors at the back..emm...and I listened for a minute in the living room and it was all quiet. And I just noticed that the...the door to the children's bedroom was quite far open and we always leave it so that it's slightly ajar, just to let a little bit of light in. And..emm...I thought to myself, did Matt leave the door open at half nine...errr... because Matt checked on them at half nine...emm..and I thought that must be what happened.

Emm...so I went to close over the children's door and just as I was about to close it, there was a..it kind of slammed, like a gust of wind had shut it. And then I thought, did I leave the patio doors open? (So, she didn't think I'll just take a look at the children at this point?) So I just checked (Didn't mention that before) and they were closed. And then I went back just to open the door a little bit (Not to look at the children?) and just as I was doing that, (So, incidental to closing the door?) I just...emm...I just glanced at Madeleine's bed (Not..oh there's the twins in their cot? And you didn't hallucinate a flat bed into bunched up bedding or a child?) which was by the wall. and it was really dark and I couldn't make her out. And I just kept looking for what felt like minutes, thinking, you know, where is she?

At this point in the original telling, when the door was opened for a second time, the curtains went whoosh!

And it seems daft now because normally you'd think I'd put the light on. It's that inbuilt thing of don't wake the kids up...emm...and then I looked and realised she wasn't there and I thought, so has she gone through into our bedroom?

No, this was where Kate McCann told us previously that she knew Madeleine had been taken because the curtains went whoosh and Madeleine's bed was empty, apart from her pink blanket and Cuddle Cat.

Emm...you know...that would explain why the door was open as well. So, I just quickly looked in our room and she wasn't there and that's probably the first time I..that panic started to build. So, obviously (Obviously? Not from the previous telling!) I ran back into her room and...emm..just as I did that, the curtains, which were closed, just kind of blew open and as they did that, I noticed that the shutter was up and the window was open.

PM: And what did you think in that moment?

KMcC: I thought someone's taken her.

PM: You went down to tell Gerry straight away?

KMcC: Yeh, I...I basically whizzed round the apartment. About 15 seconds. I don't know why. In my head I was just thinking if someone's been in and she's cowering somewhere, I guess, which is why I did it. And then I just flew out through the back, down the stairs to the restaurant.

I don't know how Kate McCann can do this. Does she think she's addressing an audience who are two sandwiches short of a picnic? Does she think none of us remember what she said before and can compare? Surely someone could have/should have suggested that she just take a glance at her old interviews and make sure she remembered the story as she had told it in the past? Kate McCann seems to think it's OK to re-write history. The question is why? Why would she think it's OK? Because there isn't a journalist out there who will call attention to the glaring contradictions? Yes, that's exactly what I think. Not one of them has the cojones to say, "Hang on a minute.."

What happened to investigative journalism? Is there no one at all who will ask the obvious questions? Shame on the lot of them and especially those who have filled their pages over the past few days with the utter garbage that Kate McCann has written.

5 comments:

Anonymous said...

Really good this post. I haven't seen these two interviews compared like this before. I always try to keep an an open mind about the involvement of the parents, while on the other hand reading as much as possible about it. To see if I can make up my mind. This is very damning in my opinion. How can you not remember with cristal clarity such a defining moment in your live. It does sound as if she is making it up.

Unknown said...

And..emm...I thought to myself, did Matt leave the door open at half nine...errr... because Matt checked on them at half nine...emm..and I thought that must be what happened.

What a repulsive fibber, slipping this into the second version because in the first she said "the way we left it" i.e. there was no check by Mat.

How many years do the McCanns think they can keep coming back and re-writing their story? I hope London Met have lots of fun with them both when they haul them in and sit there with their spread sheets or whatever detailing all the terrible lies the gruesome twosome have told. Whilst they continue to insist, "there is absolutely no evidence she has come to any harm". That is just so bloody grotesque.

I really do think we bloggers care far more about little Maddie than they ever did. But what a great piece of work, putting those two together to compare and contrast, how does this woman hold her head up? There again, in the first one she sounds completely nutty and drugged up. She would have to be...

AnnaEsse said...

Anonymous, she does seem to be refining and polishing the story as she goes along. I really don't know how she's got away with it. It's all there, all recorded, and still she pulls the wool over the eyes of many people.

AnnaEsse said...

Thank you, viv. I hadn't noticed that she had mentioned Matt and the door in the revised, bright, shiny, new, washes cleaner version!

Anonymous said...

Kate maccann "noticed the shutter was up". Well, she would notice the room was lighter because of street light. As usual a very bad story and I wonder why They are not arrested.